Marvelous Mystery and Detective Stories

On a beautiful summer day, crowds lined up outside a theater witness a sudden act of extreme road rage: a tap on a fender triggers a nearly homicidal attack. Jackson Brodie, ex-cop, ex-private detective, new millionaire, is among the bystanders.

The event thrusts Jackson into the orbit of the wife of an unscrupulous real estate tycoon, a washed-up comedian, a successful crime novelist, a mysterious Russian woman, and a female police detective. Each of them hiding a secret, each looking for love or money or redemption or escape, they all play a role in driving Jackson out of retirement and into the middle of several mysteries that intersect in one sinister scheme.

Kate Atkinson “writes such fluid, sparkling prose that an ingenious plot almost seems too much to ask, but we get it anyway,” writes Laura Miller for Salon. With a keen eye for the excesses of modern life, a warm understanding of the frailties of the human heart, and a genius for plots that turn and twist, Atkinson has written a novel that delights and surprises from the first page to the last.

Once again, The Game’s Afoot…

London, 1890. 221B Baker St. A fine art dealer named Edmund Carstairs visits Sherlock Holmes and Dr John Watson to beg for their help. He is being menaced by a strange man in a flat cap–a wanted criminal who seems to have followed him all the way from America. In the days that follow, his home is robbed, his family is threatened. And then the first murder takes place.

Almost unwillingly, Holmes and Watson find themselves being drawn ever deeper into an international conspiracy connected to the teeming criminal underworld of Boston, the gaslit streets of London, opium dens and much, much more. And as they dig, they begin to hear the whispered phrase-the House of Silk-a mysterious entity that connects the highest levels of government to the deepest depths of criminality. Holmes begins to fear that he has uncovered a conspiracy that threatens to tear apart the very fabric of society.

The Arthur Conan Doyle Estate chose the celebrated, #1 New York Times bestselling author Anthony Horowitz to write The House of Silk because of his proven ability to tell a transfixing story and for his passion for all things Holmes. Destined to become an instant classic, The House of Silk brings Sherlock Holmes back with all the nuance, pacing, and almost superhuman powers of analysis and deduction that made him the world’s greatest detective, in a case depicting events too shocking, too monstrous to ever appear in print . . . until now.

In Isola, the hours between midnight and dawn are usually a quiet time. But for 87th Precinct detectives Carella and Hawes, the murder of an old woman makes the wee hours anything but peaceful—especially when they learn she was one of the greatest concert pianists of the century long vanished. Meanwhile 88th Precinct cop Fat Ollie Weeks has his own early morning nightmare: he’s on the trail of three prep school boys and a crack dealer who spent the evening carving up a hooker.

London, June 1860: When an assassination attempt is made on Queen Victoria, and a petty thief is gruesomely murdered moments later—and only a block away—Chief Detective Inspector Charles Field quickly surmises that the crimes are connected. Was Victoria really the assassin’s target? Or were both crimes part of an even more sinister plot?

Field’s investigation soon exposes a shocking conspiracy: the publication of Charles Darwin’s controversial On the Origin of Species has set off a string of terrible crimes—murder, arson, kidnapping. Witnesses describe a shadowy figure with lifeless, coal-black eyes. As the investigation takes Field from the dangerous alleyways of London to the hallowed halls of Oxford, the list of possible conspirators grows, and the body count escalates. And as he edges closer to the dastardly madman called the Chorister, he uncovers dark secrets that were meant to remain forever hidden.

Young Willie is on the run, having fled his small Texas farm when an infamous local landowner murdered his father. A man named Loving takes him in and trains him in the fine arts of shooting, riding, reading, and gardening. When Loving dies, Willie re-christens himself Nat Love in tribute to his mentor, and heads west.

In Deadwood, South Dakota Territory, Nat becomes a Buffalo Soldier and is befriended by Wild Bill Hickok. After winning a famous shooting match, Nat’s peerless marksmanship and charm earn him the nickname Deadwood Dick, as well as a beautiful woman. But the hellhounds are still on his trail, and they brutally attack Nat Love’s love. Pursuing the men who have driven his wife mad, Nat heads south for a final, deadly showdown against those who would strip him of his home, his love, his freedom, and his life.

Romulus Ledbetter wasn’t always homeless. He once was a devoted husband, father, and musician with a bright future. He now forages for food in the trash cans of the city’s better neighborhoods and wages a strenuous one-man war against Cornelius Gould Stuyvesant, an evil—and imaginary—power broker who is responsible for society’s ills, as well as the sinister Y- and Z-rays that are corrupting humankind. Then one wintry night, Rom finds a corpse at the mouth of his cave that rouses his well-defined sense of ethics and launches him on an obsessive quest for answers. Forced to reconnect with society, Rom leaves his world and journeys through a spiraling web of clues and hunches, straight into a sinister den of money, temptation, and murder–otherwise known as the “civilized” world.

Nobody likes The Complaints—they’re the cops who investigate other cops. It’s a department known within the force as The Dark Side, and it’s where Malcolm Fox works. He’s a serious man with a father in a nursing home and a sister who persists in an abusive relationship, frustrating problems about which he cannot seem to do anything.

Then the reluctant Fox is given a new case. There’s a cop named Jamie Breck, and he’s dirty. The problem is, no one can prove it. As Fox takes on the job, he learns that there’s more to Breck than anyone thinks—dangerous knowledge, especially when a vicious murder takes place far too close to home.

In The Complaints, Rankin proves again why he is one of the world’s most beloved and bestselling crime writers, mixing unstoppable pacing with the deeper question of who decides right from wrong.

Eighteen-year-old auto mechanic Sawyer Taft did not expect her estranged grandmother to show up at her apartment door and offer her a six-figure contract to participate in debutante season. And she definitely never imagined she would accept. But when she realizes that immersing herself in her grandmother's "society" might mean discovering the answer to the biggest mystery of her life-her father's identity-she signs on the dotted line and braces herself for a year of makeovers, big dresses, bigger egos, and a whole lot of bless your heart. The one thing she doesn't expect to find is friendship, but as she's drawn into a group of debutantes with scandalous, dangerous secrets of their own, Sawyer quickly discovers that her family isn't the only mainstay of high society with skeletons in their closet. There are people in her grandmother's glittering world who are not what they appear, and no one wants Sawyer poking her nose into the past. As she navigates the twisted relationships between her new friends and their powerful parents, Sawyer's search for the truth about her own origins is just the beginning.

While on routine patrol, LAPD Officer Cindy Decker rescues a newborn abandoned in an alley dumpster. But she can’t call it a night until she sees the infant safe in a hospital, cared for by a professional—in this case a male nurse with soulful eyes and lots of charm.

It’s Christmas in Aspen and P.I. Regan Reilly is vacationing with her parents and hoping to meet an unmarried man. Soon, however, all thoughts of romance turn to sleuthing when million-dollar paintings start disappearing, along with an old friend of Regan’s–who happens to be an ex-con. The snow is falling, the plot is thickening, and the danger is closing in on Regan.

After assorted hijinks, adventures, false alarms, and–yes–plain old silliness, the plot finally gets all tied up in a nice, neat, mostly happy ending that will no doubt charm even the most Scrooge-like reader. Solidly entertaining, mostly clever, occasionally funny, and always fun, this one is sure to please the author’s growing audience.

An assistant curator of Munich’s National Museum, Vicky Bliss is no expert on Egypt, but she does have a Ph.D. in solving crimes. So when an intelligence agency offers her a luxury Nile cruise if she’ll help solve a murder and stop a heist of Egyptian antiquities, all 5’11” of her takes the plunge. Vicky suspects the authorities really want her to lead them to her missing lover, the art thief and master of disguises she knows only as “Sir John Smythe.” And right in the shadow of the Sphinx she spots him. . . with his new flame. Vicky is so furious at this romantic stab-in-the-back, not to mention the sudden arrival of her meddling boss, Herr Dr. Schmidt, that she may overlook a danger as old as the pharaohs and as unchanging. . . a criminal who hides behind a mask of charm while moving in for the kill.

Getting caught red-handed is inevitable when a TV producer convinces a thief named John Dortmunder—and his merry gang—to do a reality show that captures their next score. The producer guarantees to find a way to keep the show from being used in evidence against them. They’re dubious, but the pay is good, so they take him up on his offer.

A mock-up of the OJ bar is built in a warehouse down on Varick Street. The ground floor of that building is a big open space jumbled with vehicles used in TV world, everything from a news truck and a fire engine to a hansom cab (without the horse).

As the gang plans their next move with the cameras rolling, Dortmunder and Kelp sneak onto the roof of their new studio to organize a private enterprise. It will take an ingenious plan to outwit viewers glued to their television sets, but Dortmunder is nothing if not persistent, and he’s determined to end this shoot with money in his pockets.

Ex-cop turned #1 New York Times bestselling writer Joseph Wambaugh forged a new kind of literature with his great early police procedurals. Gritty, luminous, and ultimately stunning, this novel is Wambaugh at his best–a tale of a street cop on the hardest beat of his life.

Twenty and two. Those are the numbers turning in the mind of William “Bumper” Morgan: twenty years on the job, two days before he “pulls the pin” and walks away from it forever. But on the gritty streets of L.A., people look at Bumper like some kind of knight in armor–they’ve plied him with come-ons, hot tips, and the hard respect a man can’t earn anywhere else. Now, with a new job and a good woman waiting for him, a kinky thief terrorizing L.A.’s choice hotels, and a tragedy looming, Bumper Morgan is about to face the only thing that can scare him: the demons that he’s been hiding behind his bright and shiny badge . . . 

When the bodies of two Indigenous women are found in the wilderness of northern California, it is only the latest horrific development in a string of similar crimes in the area. Despite all evidence to the contrary, officials rule the deaths isolated incidents, which soon join the ranks of countless other unsolved cases quickly dismissed by law enforcement.
 
In a town where too many injustices are tolerated or brushed under the rug, only a few people remain who refuse to let a killer walk free. But Private Investigator Sharon McCone is one of those few. She is hired by an organization called Crimes against Indigenous Sisters to go undercover in Meruk County—a community rife with secrets, lies, and corruption—to expose the truth.
 
In an isolated cabin in the freezing, treacherous woods, McCone must work quickly to unravel a mystery that is rooted in profound evil—before she becomes the killer’s next target.

A tragedy occurs at a small concert venue on the Monterey Peninsula. Cries of “fire” are raised and, panicked, people run for the doors, only to find them blocked. A half dozen people die and others are seriously injured. But it’s the panic and the stampede that killed them; there was no fire.

Kathryn Dance–a brilliant California Bureau of Investigation agent and body language expert–discovers that the stampede was caused intentionally and that the perpetrator, a man obsessed with turning people’s own fears and greed into weapons, has more attacks planned. She and her team must race against the clock to find where he will strike next before more innocents die.

Toussaint Boudreaux, a black docker in New Orleans, puts up with his co-workers’ racism because he has to, and moonlights as a prize-fighter in the hope of a better life-but the only break he gets lands him in penal servitude. J.P. Winfield, a hick with a gift for twelve-string guitar, finds his break into show-biz leads to the flipside of the American dream. Avery Broussard, descendant of an aristocratic French family, runs whiskey when what remains of his land is repossessed . . . The interlocking stories of these three men are an elegy to the realities of life in 1950s Louisiana, their destinies fixed by the circumstances of their birth and time. Yet each carries the hope of redemption . . . 

The harrowing call comes from the NYPD. Willy’s ex-wife, Mary, has been found dead in her Lower East Side apartment and Willy is asked to identify the body. Torn from his beloved Vermont, Willy returns to the city of his hard-drinking youth with misgivings that deepen when he sees Mary’s sad corpse on a gurney. Because of a fresh puncture mark in her arm, the police think she overdosed. Yet Willy has doubts. Driven by loss and guilt, he searches deeper and deeper into his past, to a long-ago Vietnam where he was a merciless loner known as the Sniper. Soon Willy will answer for his old sins . . . and live up to his chilling nickname.

Facing down mercenaries in Africa, Jason Bourne witnesses the death of an art dealer named Tracy Atherton. Her killing dredges up snatches of Bourne’s impaired memory, in particular the murder of a young woman on Bali who entrusted him with a strangely engraved ring-an artifact of such powerful significance that people have killed to obtain it. Now he’s determined to find the ring’s owner and purpose. But Bourne never knows what terrible acts he’ll discover he committed when he digs into the past.

The trail will lead him through layers of conspiracy to a vicious Russian mercenary, Leonid Arkadin, who was also a graduate of the Central Intelligence training program Treadstone. A covert course designed to create ruthless assassins for C.I., it was shuttered by Congress for corruption. Yet before it was dismantled, it produced Bourne and Arkadin, giving them equal skills, equal force, and equal cunning.

As Bourne’s destiny circles closer to Arkadin’s, it becomes clear that the eventual collision of these men is not of their own making. Someone else has been watching and manipulating them. Someone who wants to know, Who is the more deadly agent?