Mystery Writers of America: 2025 Edgar® Award Winners

After a decade of exile precipitated by the tragic death of his mother, Will Seems returns home from Richmond to rural Southern Virginia, taking a job as deputy sheriff in a landscape given way to crime and defeat. Impoverished and abandoned, this remote land of tobacco plantations, razed forests, and boarded-up homes seems stuck in the past in a state that is trying to forget its complex history and move on.

Meanwhile, a man Will knows to be innocent is arrested for Tom’s murder, and despite Will’s pleas, his boss seems all too content to wrap up the case and move on. Will must weigh his personal guilt against his public duty when the local Black community hires Bennico Watts, an unpredictable private detective from Richmond, to help him find the real killer. It would seem an ideal pairing—she has experience, along with plenty of sand, and Will is privy to the details of the case—but it doesn’t take long for either to realize they much prefer to operate alone. Bennico and Will clash as they each defend their untraditional ways on a wild ride that wends deep into the Snakefoot, an underworld wilderness that for hundreds of years has functioned as a hideout for outcasts—the forgotten and neglected and abused—leaving us enmeshed in the tangled history of a region and its people that leaves no one innocent, no one free, nothing sacred.

Once described as “the best crime writer you’ve never heard of,” James Sallis is a largely underexplored figure in contemporary American literature. Best known for his thriller novel Drive—later adapted into the acclaimed 2011 movie of the same name starring Ryan Gosling and Carey Mulligan—Sallis has written across a range of genres and forms, including short fiction, poetry, musicology, science fiction, biography, nonfiction essays, literary reviews, and criticism. This companion, the first comprehensive examination of Sallis’ writings, locates him as a vital voice within mystery fiction. In addition to an alphabetized analysis of his works, it includes a biography, career chronology, and an interview with the author. Readers will gain a deeper understanding of Sallis’ extraordinary life and career, as well as insight into the recurrent themes and motifs of his rich and varied writings. This book is both an introduction to Sallis’ work for new readers and a thorough reference guide for established fans and scholars.

Colin has spent all summer solving mysteries with his friend Nevaeh. But they’ve only ever dealt with other people’s mysteries—ones that are safe for Colin to think about. He’s still stuck on the mystery surrounding his own father, who his mother refuses to talk about and he can’t remember meeting.

But the closer they get to connecting the clues, the more trouble awaits them. A serious accident leaves Nevaeh’s family reeling—and Nevaeh racked with guilt. And digging into Colin’s father’s past may lead Colin and his mom into even more danger. Can Colin and Nevaeh solve the mystery before it’s too late?

When Theodosia Benton abandons her career path as an attorney and shows up on her brother’s doorstep with two suitcases and an unfinished novel, she expects to face a few challenges. Will her brother support her ambition or send her back to finish her degree? What will her parents say when they learn of her decision? Does she even have what it takes to be a successful writer? What Theo never expects is to be drawn into a hidden literary world in which identity is something that can be lost and remade for the sake of an audience. When her mentor, a highly successful author, is brutally murdered, Theo wants the killer to be found and justice to be served. Then the police begin looking at her brother, Gus, as their prime suspect, and Theo does the unthinkable in order to protect him. But the writer has left a trail, a thread out of the labyrinth in the form of a story. Gus finds that thread and follows it, and in his attempt to save his sister he inadvertently threatens the foundations of the labyrinth itself. To protect the carefully constructed narrative, Theo Benton, and everyone looking for her, will have to die. 

The small, rundown village of Great Diddling is full of stories—author Berit Gardner can feel it. The way the villagers avoid outsiders, the furtive stares and whispers in the presence of newcomers… Berit can sense the edge of a story waiting to be unraveled, and she’s just the person to do it. In fact, with a book deadline looming over her and no manuscript (not even the idea for a manuscript, truth be told), Berit doesn’t just want this story. She needs it.